Between 10th And 11th

Combining the retro-psychedelia of the Stone Roses with a large dose of The Doors' swirling keyboard-based sensibility, the Charlatans UK had an initially swift and painless rise to fame. Rocky times lay ahead however, including the mental illness of their bass player and the departure of their guitarist. Compounding these setbacks was the commercial disappointment of the otherwise outstanding BETWEEN 10TH AND 11TH. more...

Despite its lack of contemporary commercial success, this album contains the beginnings of a musical maturity and depth. More guitar-based than usual, BETWEEN 10TH AND 11TH embraces a loose, jamming tradition not usually found in post '70s British pop, shown to greatest effect on "The End of Everything". The album has a harder edge than previous efforts, as if the band were trying to stay one step ahead of their demons. Unfortunately they'd soon suffer more setbacks when integral member and keyboard player Rob Collins would be arrested for armed robbery; a few years later he was killed driving drunk from a pub to the studio.

Rolling Stone (7/9/92, p.105)
- 3 Stars - Good - "..expands on the promise of SOME FRIENDLY...the Charlatans prove that talkin' loud and sayin' nothin' can be a statement unto itself.."

Q (4/92, pg.71)
- 3 Stars - Good

Entertainment Weekly (5/8/92, p.58)
- "..consolidates the band's riveting, hypnotic attack.." - Rating: A-

Option (July-Aug/92, p.94)
- "..the Charlatans rock harder on this collection without losing any of the psychobabble weirdness that was so invigorating on SOME FRIENDLY...this is a great pop band with an arsenal of great songs.."